电影《出生证明》HD中字在线观看-黑光影视

提醒：不要轻易相信视频中的广告，谨防上当受骗!
如果无法播放请重新刷新页面，或者切换线路。
视频载入速度跟网速有关，请耐心等待几秒钟。

报错刷新上一集下一集

简介

出生证明 HD中字5.0

5.0

网友评分

很差

较差

还行

推荐

力荐

784次评分

给影片打分《出生证明》

很差

较差

还行

推荐

力荐

我也要给影片打分

HD/1961/其它/战争/

363
微信扫一扫

复制下方链接，去粘贴给好友吧 -出生证明-HD中字复制链接
关注公众号观影不迷路
扫一扫用手机访问

影片信息

出生证明
片名：出生证明
状态：HD
主演：Andrzej Banaszewski/Beata Barszczewska/马里乌什·德莫霍夫斯基/
导演：斯坦尼斯拉夫·罗泽维格/
年份：1961
地区：其它
类型：战争/
时长：内详
上映：未知
语言：其它
更新：2025-09-27 05:45
简介：　　In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."　　The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.　　The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.　　The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.　　At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?　　Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."　　After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.　　In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."

首页电影出生证明

播放列表

当前资源来源LTV - 在线播放,无需安装播放器

倒序

LTV

HD中字

为你推荐

换一换

HD

魅力四射4：一鼓作气

3.0 艾什莉·本森/卡茜·瑟波/Noel Areizaga/詹妮佛·提斯达尔/柯斯汀·科佩尔/Anniese Taylor Dendy/简·帕克·史密斯/Lisa Glaze/亚当·威尼尔/迈克尔·科彭/阿什丽·提斯代尔/John Baker/David Bermejo/Justin Brown/Chris Cavallaro/Whitney Costner/Bryce DiCristofalo/Michael Thomas Dunn/Omar Elkalyoubie/Elle Fitzapak/Brittan/
HD

谁和她睡了

2.0 朴俊奎/金莎朗/夏石镇/河东勋/白日博/林亨峻/
HD

声名狼藉

2.0 托比·琼斯/西格妮·韦弗/格温妮斯·帕特洛/桑德拉·布洛克/伊莎贝拉·罗西里尼/杰夫·丹尼尔斯/丹尼尔·克雷格/彼得·博格丹诺维奇/迈克尔·潘斯/李·佩斯/
HD

糖果人1992

9.0 维吉妮娅·马德森/托尼·托德/山德·贝克利/
HD

糖果人2021

8.0 叶海亚·阿卜杜勒-迈丁/泰柔娜·派丽丝/内森·斯图尔特-贾瑞特/科尔曼·多明戈/凯尔·卡明斯基/瓦妮莎·威廉姆斯/布莱恩·金/米里亚姆·莫斯/瑞贝卡·斯宾塞/卡尔·克莱蒙斯-霍普金斯/马力克·怀特/托尼·托德/纳迪娅·西姆斯/
HD

我爱猫头鹰

10.0 罗根·勒曼/布丽·拉尔森/科迪·林雷/卢克·威尔逊/蒂姆·布雷克·尼尔森/
HD

倒霉命运

7.0 韦斯利·斯奈普斯/凯文·查普曼/斯碧尔·谢波德/Jacquelyn Morgan/詹姆斯·廖/凯文·托马斯/
HD

虫师2006

9.0 小田切让/大森南朋/苍井优/镰田小惠子/久野真季子/Reia Moriyama/Hideyuki Inada/Aaron Dismuke/Greg Dulcie/Juli Erickson/江角真纪子/托德·哈伯空/Grant James/Mike McFarland/Rô Naruse/沼田爆/李礼仙/克里斯托弗·萨巴特/斯蒂芬妮·社/Alison Viktorin/特拉维斯·威林厄姆/
HD

暗夜旅程

1.0 布兰登·费舍/茅斯·达夫/斯科特·格伦/
HD

孤独之岛

7.0 彼得·马莫诺夫/维克托·苏霍卢科夫/德米特里·迪尤舍夫/

HD

为爱毁灭

4.0 Kajol/阿米尔·汗/Tabu/
HD

童话2022

3.0 未知
HD

卫生督查员

4.0 王牌接线员拉里/艾利斯·巴尔（Iris/Bahr）/梅格恩·皮尔斯（Megyn/Price）/
HD

黑洞拦截

5.0 Paul Koslo/Jan-Michael Vincent/Tara Buckman/
HD

无发无天1992

3.0 Russell Crowe/Daniel Pollock/Jacqueline McKenzie/Alex Scott/Leigh Russell/
HD

吸血家族汉密尔顿

2.0 Cory Knauf/塞缪尔·蔡尔德/Joseph McKelheer/
HD

魔之时刻

7.0 岩下志麻/坂上忍/岡本香了/冈田裕介/伊武雅刀/石桥莲司/河原萨布/小林稔侍/神山繁/宫下顺子/常田富士男/
HD

下一个就是你2006

3.0 迪娜·迈耶/乔治·纽伯恩/奇希·劳尔兹/Dan DeLuca/弗兰克·威利/
HD

隐秘2006

1.0 克谢尼娅·拉波波尔特/米凯莱·普拉奇多/克劳迪亚·杰里尼/皮埃拉·迪格利·埃斯波斯蒂/阿历桑多罗·哈伯/克拉拉·朵珊娜/安吉拉·莫利纳/玛格丽塔·布伊/皮耶尔弗兰切斯科·法维诺/尼古拉·迪·平托/保罗·埃尔莫/西蒙娜·诺比利/埃丽萨·莫鲁奇/朱利亚·迪·奎里欧/皮诺·卡拉布里亚/
HD

一日狂徒

8.0 Karl Urban/Matthew Sunderland/

HD

伊拉克恶狼谷

8.0 内贾蒂·沙什马兹/比利·赞恩/加桑·马苏德/居尔坎·乌伊贡/贝尔古扎尔·考莱尔/凯南·乔班/Erhan Ufak/Diego Serrano/加里·布塞/斯宾塞·加雷特/蒂托·奥蒂兹/Nusret Senay/Tayfun Eraslan/Ismet Hürmüzlü/杰·阿布多/
HD

珍爱泉源2006

2.0 休·杰克曼/蕾切尔·薇兹/艾伦·伯斯汀/马克·马戈利斯/史蒂芬·麦克哈蒂/费尔南多·埃尔南德斯/克利夫·柯蒂斯/西恩·帕特里克·汤玛斯/唐纳·墨菲/伊桑·苏普利/理查德·麦克米伦/亚伯拉罕·阿罗诺夫斯基/博伊德·班克斯/
HD

祖母的孩子

6.0 艾伦·卡瓦特/琳达·卡德里尼/彼得·丹特/
已完结

莫妮卡·奥利维尔：恶魔帮凶第一季

1.0 未知
HD

重振球风

3.0 道恩·强森/艾勒比/L·斯科特·卡德维尔/莱昂·里皮/凯文·杜恩/贾德·约克/大卫·V·托马斯/莫·麦克雷/詹姆斯·厄尔/特沃·欧布莱恩/布兰登·史密斯/朱尼·斯莫利特/迈克尔·J·帕甘/贾马尔·米克森/乔·徐/欧玛瑞·哈德威克/迈克尔-杰斯/布莱特·卡伦/玛丽·马拉/加勒特·布朗/查尔斯·沃克/安娜·玛利亚·霍斯福德/布鲁斯·卡茨曼/安布里特·米尔豪斯/菲尔·里夫斯/丹尼·莫拉/杰米·麦克沙恩/阿兰·格拉夫/凯瑟琳·麦考德/Rocky Brito/Ronn Burner/Alex Darke/Charl/
HD

坠入2006

8.0 凯婷卡·安塔鲁/贾斯蒂恩·瓦戴尔/李·佩斯/Kim Uylenbroek/Aiden Lithgow/肖恩·吉尔德/Ronald France/Andrew Roussouw/Michael Huff/格兰特·斯旺比/埃米尔奥斯迪那/罗宾·史密斯/Jeetu Verma/里奥·比尔/Marcus Wesley/
HD

非礼勿视2006

4.0 Glen Jacobs/克雷格·霍纳/Michael J. Pagan/
HD

大力士麦当娜

6.0 柳德焕/草彅刚/金允石/白润植/
HD

基督诞生记2006

2.0 凯莎·卡斯特-休伊斯/西娅姆·阿巴斯/奥斯卡·伊萨克/Shaun Toub/
HD

面纱2006

4.0 爱德华·诺顿/娜奥米·沃茨/托比·琼斯/黛安娜·里格/黄秋生/列维·施瑞博尔/朱丽叶·霍兰德/艾伦·戴维/露西·弗勒/玛姬·斯蒂德/佐伊·特尔福德/夏雨/吕燕/冯瓅/玛丽-洛尔·德库洛/凯瑟琳·安/李滨/洛琳·劳伦斯/伊恩·伦威克/程思寒/亨利·赛洛/

换一换

出生证明 HD中字5.0

5.0

网友评分

很差

较差

还行

推荐

力荐

784次评分

给影片打分《出生证明》

很差

较差

还行

推荐

力荐

我也要给影片打分

影片信息

出生证明

播放列表

猜你喜欢

为你推荐

最新资讯

评论

电影排行榜

出生证明 HD中字5.0 5.0 网友评分 很差 较差 还行 推荐 力荐 784次评分 给影片打分 《出生证明》 很差 较差 还行 推荐 力荐 我也要给影片打分

影片信息

出生证明

播放列表

猜你喜欢

为你推荐

最新资讯

评论

电影排行榜

出生证明 HD中字5.0

5.0

网友评分

很差

较差

还行

推荐

力荐

784次评分

给影片打分《出生证明》

很差

较差

还行

推荐

力荐

我也要给影片打分